![]() ![]() ITerminalAction stopTimer = timer.GetActionWithName("Stop") ////////// Initialize the timer block and set up actions I've almost got it, but i'm just not quite there. Thanks again for all of your help! However, once again, I'm sort of at a loss, here. How do I make these thrusters fire only while the timer is counting? Am I wrong to assume that the bool is a usable variable in this context? I'm trying to use it in that while-loop that I have in my code, and it's giving me an error. ![]() I assume that the bool IsCountingDown under the fields there is something that I can use like a boolean variable. They are quite similar, but there are some subtle differences. I'm more used to java than I am used to C#. GetActionWithName("DecreaseOverride").Apply(mainThrusters ) //////// Decrease the thrust after the timer is done counting.įor (int i = 0 i < mainThrusters.Count i++) GetActionWithName("IncreaseOverride").Apply(mainThrusters ) ![]() ///////// Increase the thrust of the thrusters while the timer is counting down.įor(int i = 0 i < mainThrusters.Count i++) ITerminalAction startTimer = timer.GetActionWithName("Start") Var timer = GridTerminalSystem.GetBlockWithName("Timer Block") List mainThrusters = group.BlocksVar list = GridTerminalSystem.BlockGroups ////////// Put the main thrusters into a list by grouping. Here is my code (the part that i'm having trouble with is bolded and underlined): In this case, the thrusters will use the DecreaseOverride method after the timer has finished counting. Now, I'm trying to sort of link the action of overriding the accelleration with a timer block. I think once I get this figured out, I can maybe sort of figure out the rest. Is there perhaps a way to make a sepearte list for just those two thrusters? Or perhaps a way to assign those two thrusters to a specific index within the list? ITerminalAction increaseThrust = mainThrusters.GetActionWithName("IncreaseOverride") GridTerminalSystem.GetBlocksOfType(mainThrusters) įor(int i = 0 i < increaseCount i++) List mainThrusters = new List()I got the thrust to override for a single thruster at the index of the list of thrusters, which is cool, but not exactly what I was looking for. Would anyone mind helping me out with this? My programming experience is extremely limited. These two thrusters are the forward thrusters of my ship. Nice and tidy.I'm trying to increase the override for 2 of the 8 of my thrusters on my ship. Then it's all automated and you don't have to restart anything even if you exit and reload the game, and you can easily add more scripts even while everything else is running by simply editing the programmable block list in the master block. Or there could be some conditions that the master script uses to determine which script to run.Īnd, of course, if you combine all of the above you can have a setup where a timer block automatically runs the master script (to get everything started) that starts all the slave scripts. Then you can just edit that list to add/remove scripts. This allows you to make it even more dynamic as the master script could, for example, read the names of the programmable blocks from its custom data and then start the scripts stored in them. You can have a master script that executes the other scripts. You can set the Runtime.UpdateFrequency flags to make your script run repeatedly after the initial call to it. ![]() You don't necessarily need a timer block at all. I think there are 90 slots available, although you need a few of them to control the timer block itself so that it loops. A timer block has multiple slots in its action list. There are several options that you can do: ![]()
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![]() Population Studied: Lower Rio Grande Valley in Texas along the U.S.-Mexican Border. SP-QOL measures were assessed using the “Delighted-Terrible” scale and were treated as continuous variables. Sirgy et al, assessed levels of satisfaction with various life domains and specific local government, non-profit services and neighborhood social capital. The survey instrument, based on the work of M.J. All data collection protocols had prior approval from the Committee for the Protection of Human Subjects (CPHS) of the University of Texas. The neighborhood represented a defined geographical area containing a defined population of interest, with every household having a known, nonzero, and equal chance of being included in the sample. ![]() Participants were able to conduct the interview in their language of choice, with over 95% selecting Spanish. Study Design: A simple random sample of 402 households were administered a survey via a trained outreach worker. ![]() In addition to scholars of Hispanic health and QOL, the results of this study should prove useful to policymakers and the advocacy agencies and academic institutions that promote development, implementation, and analysis. By exploring the association between life status, perceptions, and QOL outcomes, the study aim was to inform program planning, outreach activities and community-based participatory action research and suggest interventions. ![]() Presented by: Sartaj Alam, M.S., Data Management Analyst, Biostatistics, University of Texas School of Public Health., 1200 Herman Presslar Street, Houston, TX 77030, Phone: (713) 500-7907 Email: Objective: This study examined the SP-QOL in an impoverished, minority-majority neighborhood in the Lower Rio Grande Valley. Self Perceived Quality of Life (SP-QOL) in an Impoverished Mexican-American Community in Texas along the U.S.-Mexican Border ![]() ![]() ![]() ![]() And encourage them to play and forget about the camera. Tell them you’re going to have great fun. Even if you know the person well they may still be feeling apprehensive.Įxplain the kind of shot you want – or ask them what kind of shot they’d like. Be open to suggestions from your subject.įor children portrait photography, get down to their level and talk to them gently. ![]() Prepare Your Portrait Subject For The ShootĮven the best, most expensive camera equipment will produce poor results if your subject isn’t ready, comfortable, relaxed and feeling their best.īeing photographed is quite an unnatural and therefore stressful experience for the subject, so your job as a photographer is to make the experience simple, fun and stress-free.īreak the ice by making small talk. For example, an artist in front of her easel, a fisherman in front of a boat or a musician in front of her guitar.Ģ. For instance, an interesting wall or fence could provide a wonderful pop of color or texture.Īnother technique is to include an object in the background to provide added interest or context. However, you don’t have to choose a completely plain background. Usually for portrait photography you’ll want a neutral, uncluttered background that won’t distract the viewer from your portrait subject. A busy or distracting background will take attention away from the person in your photo. In portrait photography the background is just as important as the subject. Pick The Perfect Background For Your Subject By the end of this article you’ll be able to shoot stunning portrait photos with your DSLR or mirrorless camera.ġ. You’ll learn how to set up the scene for maximum impact as well as the best camera settings to use. Do you struggle to take professional looking portrait photos? In this tutorial you’ll discover eight highly effective techniques that will take your portrait photography to the next level. ![]() ![]() His outspoken, hot-headed demeanor is a trait Ichigo himself has acknowledged, and if somebody picks a fight with him, he cannot help fighting back. He generally keeps his face set in a near-permanent scowl, with his eyebrows drawn together. Despite claiming not to care about what other people think about him, he attempts to maintain a detached and "cool" image. Īs a teenager, Ichigo is stubborn, short-tempered, strong-willed, and impulsive. Since then, the number of people he wishes to protect has continued to grow, causing Ichigo to risk his life to protect both the people close to him and complete strangers. When his sisters were born, he began attending a dojo for the sake of protecting them. At a very young age, Ichigo heard his father saying his name means "to protect one thing," which instilled in him a desire to protect his mother. Despite crying whenever he lost in a match at the dojo he attended, Ichigo started to smile again as soon as he saw Masaki when she came to pick him up. When he was younger, Ichigo considered his mother to be the center of his world, always smiling when he was with Masaki and regularly holding her hand. Īfter training at the Soul King Palace, Ichigo wears his standard black shihakushō, but with some notable changes: he has two white shoulder plates crossing his chest in an X shape that hold his Shikai blades in place, with the first plate on his left shoulder having three sections adorned with red scales, the second plate having three sections adorned with red scales on his right waist, and a white cloak with black markings tied around his waist. Similar bands, but with white ends, lie around his neck as collars. He has four black vertical lines on his forearms and black, tattoo-like bands crossing over his chest, wrists, and ankles. After regaining his powers, seemingly caused by remaining energy from his Fullbring, Ichigo's Shinigami attire consists of a thicker strap across his chest. Seventeen months after defeating Aizen, Ichigo's overall appearance does not change, but he becomes taller again and grows sideburns. ![]() After Ichigo loses his Shinigami powers, his appearance reverts to the way it was before his Dangai training. ![]() After training in the Dangai, Ichigo's hair grows considerably, and he is noticeably taller, as stated by his friends. Ichigo's appearance has caused several people, including Jūshirō Ukitake, to note a similarity to Kaien Shiba, the former lieutenant of the 13th Division. It is shaped like a kite with a flat top and bottom. ![]() Initially, it was a thick brown belt to hold his Zanpakutō sheath, but it later became a red rosary-like strap after awakening his own Shinigami powers. When in his spiritual form, Ichigo wears the standard Shinigami shihakushō, with the addition of a strap across his chest. Since becoming a Shinigami, he has become noticeably more muscular, as noted by his sister Karin. He has a tendency to wear shirts patterned with the number 15 because his name is a homonym for the number. He is a fairly tall, lean-built young man with peach skin and brown eyes. 40 ROLL UPS ON A LINE.Ichigo's most distinguishing feature is his spiky orange hair, a trait he has been ridiculed about for years on end. 35 HUMAN BATTLESHIP (WITH WATER BALLOONS). ![]() 26 MUSICAL CHAIRS SCAVENGER HUNT CHALLENGE. 22 THE ANNUAL AWESOMELY RIDICULOUS GREENĪND BLUE 60 SECOND CHALLENGE RACE. TABLE OF CONTENTS 7 TIPS FOR YOUR FIRST COLOR WAR. ![]() ![]() Plus, black and white can give you the perfect foundation to add some of the most exciting pops of colors into the room. This color palette is a great solution if you expect to have more kids in the future or if you might change the room around to a different space after the boy grows up. Along with the wall decor, try to find a simple, neutral-colored bed frame. If you want to keep things truly neutral for your boy's bedroom, go for the black and white approach. Make sure to fill the room with fun stuffed animals! Pick other special items to decorate with to give the whole room an ambiance of exploration, like a tee-pee or wall mounts of stuffed animals. With a neutral-colored background, you can design the rest of the room easily with pops of colors. Pick a map wall mural that has a cute and fun design like this one below. One great kids room wallpaper design is to go for an adventure theme. From ideas for the adventurous type to a room full of superheroes, check out our favorite boy's bedroom ideas! Worldwide Adventures ![]() We've collected 11 of the best design ideas to help you kick start your creative juices to find the perfect theme for the bedroom, whether for one child, or a room with bunk beds. Take your boy's bedroom to a whole new level with some of these stunning boy's room wallpaper design ideas. ![]() For the precious boys in your life, it might be time to give their room and play space a little upgrade. ![]() ![]() ![]() Most of the stunts aren’t dangerous, one or two could be potentially, but whereas some people won’t do anything I love all that running around, duelling and scrapping.”Īnd Sean was happy to find himself back in the saddle. I wouldn’t want people thinking I didn’t actually do them, that’s not very Richard Sharpe. “There’s nothing in the film I haven’t done myself and I think it suits the character. ![]() In fact Sean does all his own stunts in SHARPE’S CHALLENGE. On stage in Macbeth which featured a huge sword fight, then in Troy which also had loads, and as Boromir in Lord of the Rings. “I’ve done quite a lot of sword fighting in the meantime. ![]() You soon realise it will take a while to get things done but you just learn to go with the flow - it’s real chill out time.”Īnd despite the lengthy gap between Sharpe films, Sean naturally slipped back into swashbuckling mode. None of this really caused us any problems though. Then Fray Bentos sent me over a box of meat pies which was great! We’ve filmed with elephants and camels with pigs and dogs and goats running around, all the colours and noises and smells. It was a recurring thing but you just get over it. They’ve really got something going for them, some sort of spirituality, a set of beliefs that enables them to be so affable and cheerful.”īut did filming in India for two months pose any problems for Sean or the rest of the cast and crew? “I was sick for a couple of days. ![]() Considering they are people with so little of their own they are so positive and optimistic with their outlook on life. And the Indian people have been so helpful in every way. We’ve filmed at huge fortresses set into hillsides, amazing palaces in the midst of squalor and poverty, in the desert surrounded by mountains. I’ve filmed all over the world but I’ve never experienced anything like this before – the people, the scenery, the animals and architecture. “India is definitely the best location we’ve filmed Sharpe in. His loyalty gets the better of him though, and he accepts his duty – he wants to get on with the mission, get in there and get again out as quickly as possible.”įilming in India was a memorable experience for Sean. He’s not lost any of his admirable qualities, but he’s a reluctant warrior when we find him at the beginning of the film. He’s been shot at more times than most and he’s very fortunate to still be walking around alive. It’s got great scale to it, a big budget and some fantastic characters.”Īnd how has Sharpe changed over the years? “I think he has mellowed to some extent,” says Sean, “and become a lot calmer. You don’t often see these kind of panoramas on TV. I think it’s probably the best we’ve done, because of the nature of the film and because we were so unrestrained filming in India. But I really enjoyed filming Sharpe’s Challenge. Picking up a sword again and putting on the green jacket. “It’s quite a bizarre feeling bringing him back to life. Sean admits it felt strange becoming Richard Sharpe after so long. We got a really good script written by Russell Lewis and just thought - let’s go ahead and do it!” Malcolm Craddock, the producer, Tom Clegg, the director, and I started discussing doing another. So that’s what we did, we all went in different directions - but I was always excited by the prospect of getting back together again. I needed a few years to try different things, as did other members of cast and crew. Sean explains: “When we finished the Battle of Waterloo it felt like the natural conclusion for that particular group of Sharpe films, but I always thought one day we would get together to make more. Sean felt the time was right to return as Richard Sharpe, in the series that regularly drew in audiences of more than nine million. "When we finished the Battle of Waterloo it felt like the natural conclusion for that particular group of Sharpe films, but I always thought one day we would get together to make more."Īfter a hiatus of eight years, Sean Bean was ready to pick up his sword and get back on a horse for the role he immortalised on British TV. ![]() ![]() But now even, I get following error: pod has unbound immediate PersistentVolumeClaims I tried using local volume also but again same error. I got it corrected and now my pvc is shown as bound. What can I check more to get it working? Can it be related to nfs server and path (if by chance, it is mentioned incorrectly), though I see pv created successfully.ĮDIT1: One issue was that accessmode of pvc was different from accessmode of pv. I also tried setting storageclass as "" in pvc and not mention it in pv, but it did not work also. This time, I get below error: no persistent volumes available for this claim and no storage class is set ![]() I tried not giving any storageclass (did not create it) and removed it from pv and pvc both altogether. When I get the pvc events, it shows: Warning ProvisioningFailed 3 s (x 2 over 12 s) persistentvolume-controller no volume plugin matched Now, when I try to deploy it, I get the following error on statefulset: pod has unbound immediate PersistentVolumeClaims Statefuleset has following pvc section defined: volumeClaimTemplates: 85 path: /servers/scratch50g/vishalg/kube My pv, pvc and sc configs are as below: kind: StorageClass apiVersion: /v1 metadata: name: manual provisioner: kubernetes.io/no-provisioner - apiVersion: v1 kind: PersistentVolume metadata: name: nfs-storage-pv spec: capacity: storage: 10Gi accessModes: - ReadWriteMany persistentVolumeReclaimPolicy: Retain storageClassName: manual nfs: server: 172.23. ![]() I am trying to install elastic search cluster with statefulset and nfs persistent volume on bare metal. I know there are lots of discussions round this topic but somehow, I can not get it working. ![]() ![]() ![]() Now, if you want to receive a file, you will have to use the GET parameter.Before you transfer the files, make sure that the files that you want to send are in the Server Root Directory.Type in ‘ cmd’ to open up the command prompt.To do this, make sure the server is running and then follow the given instructions: Allowing TFTP Through Firewallįinally, after installing the TFTP client and forwarding UDP port 69, you are ready to transfer files remotely or locally. Check both the Private and Public boxes and then click OK.Search for TFTP.exe in the Windows system32 directory.Now, click on Allow another app and then hit Browse.Click ‘ Change settings’ to be able to add an exception.To do this, click on ‘ Allow an app or feature through Windows Defender Firewall’ on the Windows Firewall settings window. If you don’t want to turn off Windows Firewall, you can just add an exception for the TFTP connections.Check the ‘ Turn off Windows Defender Firewall’ under both the settings and click OK. ![]() To turn off Windows Defender Firewall, click on ‘ Turn Windows Defender on or off’.Change the View by to Large Icons and then select Windows Defender Firewall.Go to the Start Menu and open up the Control Panel.That is it, you have successfully configured and setup your TFTP Server.Īfter you have installed the TFTP client on your system, you will either have to turn off Windows Firewall or add an exception for the TFTP connections. ![]() Finally, click OK to close the configuration window.Enter the range of the IP addresses and click OK.If you wish to do this, check the ‘ Only allow the following IP address to send/receive files’ and then click Add. Thanks to the SolarWinds TFTP Server utility, you can add in some extra security by allowing certain IP address to send and receive files.In case you want to do both, make sure the ‘ Send and Receive files’ box is checked. If you only want to receive files, click Receive files. If you only want to send files, click Send files.Next, switch to the Security tab to apply some restrictions.Click on Browse and choose a location of your choice. Also, if you want to send over some files, you will have to copy the files to this directory first. This is where all the received files will be saved. Afterward, you will have to choose the Server Root Directory.Now, if you want the server to appear in the Windows System Tray, click the ‘ Add TFTP Server to Windows System Tray’.Once it loads up, click on File and then select Configure. ![]()
![]() ![]() In the Medieval period besieging armies used a wide variety of siege engines including: scaling ladders battering rams siege towers and various types of catapults such as the mangonel, onager, ballista, and trebuchet. Fortifications were an excellent means of ensuring that the elite could not be easily dislodged from their lands – as Count Baldwin of Hainaut commented in 1184 on seeing enemy troops ravage his lands from the safety of his castle, "they can't take the land with them". Many sieges could take months, if not years, to weaken or demoralize the defenders sufficiently. Building siege engines was a time-consuming process, and could seldom be effectively done without preparations before the campaign. The ability of the heavy cavalry to dominate a battle on an open field was useless against fortifications. They provided refuge from armies too large to face in open battle. įortifications were a very important part of warfare because they provided safety to the lord, his family, and his servants. Inside a castle they were protected from bands of raiders and could send mounted warriors to drive the enemy from the area, or to disrupt the efforts of larger armies to supply themselves in the region by gaining local superiority over foraging parties that would be impossible against the whole enemy host. The castle served as a protected place for the local elites. ![]() These fortifications evolved throughout the Middle Ages, the most important form being the castle, a structure which has become almost synonymous with the Medieval era in the popular eye. As these groups were generally small and needed to move quickly, building fortifications was a good way to provide refuge and protection for the people and the wealth in the region. Most notably the Vikings, Arabs, Mongols, Huns, Cumans, Tartars, and Magyars raided significantly. In Europe, breakdowns in centralized power led to the rise of several groups that turned to large-scale pillage as a source of income. In 1489, King Henry VII of England commissioned the translation of De re militari into English, "so every gentleman born to arms and all manner of men of war, captains, soldiers, victuallers and all others would know how they ought to behave in the feats of wars and battles". Vegetius remained prominent in medieval literature on warfare, although it is uncertain to what extent his work was read by the warrior class as opposed to the clergy. Some soldiers regarded the experience of warfare as more valuable than reading about it for example, Geoffroi de Charny, a 14th century knight who wrote about warfare, recommended that his audience should learn by observing and asking advice from their superiors. While their Roman predecessors were well-educated and had been experienced in warfare, the European nobility of the early Medieval period were not renowned for their education, but from the 12th century, it became more common for them to read. Historian Michael Clanchy noted "the medieval axiom that laymen are illiterate and its converse that clergy are literate", so it may be the case that few soldiers read Vegetius' work. As archaeologist Robert Liddiard explains, " Pitched battles, particularly in the eleventh and twelfth centuries, were rare." Īlthough his work was widely reproduced, and over 200 copies, translations, and extracts survive today, the extent to which Vegetius affected the actual practice of warfare as opposed to its concept is unclear because of his habit of stating the obvious. One of the tenets he put forward was that a general should only engage in battle when he was sure of victory or had no other choice. According to Vegetius, infantry was the most important element of an army because it was cheap compared to cavalry and could be deployed on any terrain. ĭe re militari was divided into five books: who should be a soldier and the skills they needed to learn, the composition and structure of an army, field tactics, how to conduct and withstand sieges, and the role of the navy. Though Vegetius had no military experience and De re militari was derived from the works of Cato and Frontinus, his books were the standard for military discourse in Western Europe from their production until the 16th century. While Western Europe relied on a single text for the basis of its military knowledge, the Byzantine Empire in Southeastern Europe had a succession of military writers. Described by historian Walter Goffart as "the bible of warfare throughout the Middle Ages", De re militari was widely distributed through the Latin West. Publius Flavius Vegetius Renatus wrote De re militari (Concerning Military Matters) possibly in the late 4th century. Vegetius, De re militari, preface to book 3. ![]() ![]() ![]() So how do you control stiffness of the rear end? Well there is a number of ways and I will break them down part by part from biggest to smallest effect. Getting that all correct has to do with the stiffness of the rear end components and the track width. After that point the stiffness of the rear end determines how much grip is transferred to the outside rear tires and how fast it is transferred. When you approach a corner you turn the steering wheel into the corner causing the front of the kart to turn in and through the caster built into the front end it lifts the inside rear wheel causing it to slip. Weight transfer, how easily that inside rear lifts, acceleration, braking, and chassis stiffness are all primarily a function of how well the rear end works with the front. After that is accomplished, the rear end does the rest. The front of the kart has the primary duty to set the direction of the kart and lift the inside rear wheel so the turn can take place. Most karts are setup with 55-57% rear weight bias that means the rear is doing more than half of the work to keep you and the kart on the track. The first thing we need to talk about is how the rear end of the kart works. In this article I will try to explain why you need to get your rear end working to get the best performance from your kart. The rear end of a kart is not only where the power is put down for acceleration, but it is also where the majority of the weight of a kart is, the most movingparts, and one of the more overlooked areas on the chassis. 5 Inch Go Kart Wheels US American Bolt Pattern.5 Inch Go Kart Wheels Metric Bolt Patterns.Kid Rookie and Junior Kart Racing Class.Sprint and Shifter Kart Quick Release and Steering Mount Fuel Tanks.Noise Filters and Pipes for 2 cycle engines.Briggs OEM and Aftermarket Engine Tools.Metric Brake Disk Rotors for Sprint Karts.European Style Sprint Kart Brake Systems. ![]() |
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